randian | 燃点

Were it not for the list of artists and the brief introduction, “Pan Yuliang: A Journey to Silence” probably would have misled most into thinking it was a modern art show in a contemporary art institution. >> Read more

The moment we embarked on the journey of inves­ti­gating Pan Yuliang and her life, we found the pre­scribed mis­sion of speaking for her impos­sible. >> Read more

Though the artistic creation of the era cannot help but converge, to a high degree, in terms of style or theme, this did not mean artists had no room for creativity. >> Read more

Artworks produced during the Popular Republic of China’s foundation in 1949 were the aesthetic reference of the time and have now become iconic pieces. These paintings depict an ongoing revolution: its heroes and the important reforms put in place by Mao Zedong... >> Read more

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

Pal(ate)/ette/ will show artworks throughout Three on the Bund with the exhibition’s core display in SGA. Curated by NRM,Pal(ate)/ette/ reflects the spectrum of associations of the homonyms Palateand Palette; a synthesis of the senses – taste sight hearing smell taste and touch – and presenting Three on the Bund as a cultural whole. >> Read more

Why walk in areas adjacent to the museum? Why couple the acts of walking with exhibition viewing? Even if the practice of the institution is intimately connected to the local environment, this doesn't necessarily mean that bundling the acts of walking, discussion and exhibition viewing together is a comprehensive response to this issue. >> Read more

As part of his recent series of paintings, Wang Chuan transcribed this poem encapsulating key tenets of Buddhism (2013 No. 71). As the artist’s chosen text, we can expect it to offer insights into the paintings he created around the same time: it may be a key to understanding the series. >> Read more

Emerging after the Cultural Revolution, Chinese contemporary photography has more than forty years of history. This exhibition is divided into four sections: “The Rise of Unofficial Photography (1976–1979)”, “New Wave Photography (1980-1989)”, “Experimental Photography (1990-2006)”, and “The Development of Experimental Photography Organizations (2007-present) ” >> Read more

Shanghai— Inexplicable is a group exhibition of 18 Chinese young artists, >> Read more